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Why ski jumpers hold their skis in a V shape

Ski Jumping
Bartol of Slovenia trains at the Pyeongchang 2018 Winter


  • Ski jumpers hold their skies in a V figure to maximise
    air lift once they leave the take-off ramp.
  • By remaining in the air for a longer duration of time,
    skiers can urge their burst distances.
  • Swedish jumper Jan Bokloev first introduced the V Style
    in 1985, but it wasn’t embraced by all Olympic medalists until
  • The V character also helps delayed the jumper down on landing
    given it producers some-more drag at the after proviso of the

In ski jumping, it’s all about how distant you fly.

Skiers primarily hold their bodies in a position that reduces air
drag in sequence to benefit as much speed as probable coming down the
take-off ramp, or in-run. But once in the air, athletes change
their viewpoint and the position of their skis to maximize air
lift, which increases the length of their jump.

Ski jumpers used to hold their skis together to any other, but
schooled that they could locate some-more of the air pulling up
underneath them if they distant their skis, with the tails
indicating toward any other. This V figure has been the
customary character given the 1990s.

“Skiers are trying to play glider,” Louis Bloomfield, a physicist
at the University of Virginia in Charlottesville, told Inside Science back in
2010. “You pull the air down, the air pushes back, pushes you

Ski jumping techniques have changed dramatically over the last
200 years, but all Olympic medalists use the V Style

A Brief History

Ski Jumping
Tullins uses the
Kongsberger technique at the 1924 Winter Olympic


In the beginning, skiers used an “upright style.” Skiers stood
true up during the burst and “would cruise down the hill
upright,” Wayne Johnson writes in his book “White Heat: The Extreme Skiing
Life.” In 1860, Norwegian Sondre Norheim, widely-known as the
father of ski jumping, set the universe stretch record at 99 feet
using this method.

The Kongsberger technique, grown by Norwegians Jacob Thulin
Thams and Sigmund Ruud, transposed the honest character after World
War I. The skier’s top physique is focussed at the hips with an extreme
brazen lean, the arms are extended in front (as if the athlete
is diving over his or her skis), and the skis are together to
any other. The technique softened the jumping stretch from
around 150 feet to some-more than 300 feet.

The next big alleviation came in the mid-1950s from Andreas
Daescher of Switzerland. In the Daescher character the arms were
placed back next to the body. The skis were still parallel.
This held on as the customary in ski jumping for at slightest three

Changing The Game

The branch indicate came in 1985 when Swedish jumper Jan Bokloev
introduced the “V Style.” The skis are placed in a “V” shape,
rather than parallel, and the conduct is placed down between the
skis. The alteration led to incomparable jumping distances. It also
enabled the skier to land at a safer speed, shortening the chances
of injury.

Screen Shot 2014 01 31 at 1.34.30 PM
are two phases during moody in ski jumping. In Phase I, the
jumper fast takes on a physique position. In proviso II, the jumper
completes their final form, such as a V style.

Shirnizu, Watanuki, Kubota, and

According to Johnson, breeze tunnel tests showed that the V Style
softened air lift by 28%, definition the jumper can sojourn in the
air for a longer duration of time. “Now skiers were routinely
jumping good over distances of 5 hundred feet on ‘ski-flying’
hills such as Suicide in Michigan,” he wrote.

Computer simulations by
Japanese researchers show that during early moody phase, the
lift is much aloft when the skis are splayed in a V than when
the skis are parallel, called classical character in the chart.

Screen Shot 2014 01 31 at 1.18.09 PM
The lift
area values for V character are aloft than those for classic

Shirnizu, Wafanuki, Kubota, and

However, during the after proviso of flight, the V produces a
incomparable drag, assisting the contestant to delayed down on the landing.

The V Style was not immediately embraced. It resulted in longer
jumps, but fewer character points given it pennyless the customary of
together skis. Polish jumper Miroslaw Graf was first to
examination with the V Style in 1969, but it went unrecognized
given it wandered from what was deliberate the ideal character of the

“Initially ridiculed, this technique valid so successful that by
1992 all Olympic medalists were using this style,” it reads on
the central Olympic website.

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